Fugitive Voice

نویسندگان

چکیده

This essay proposes that current-day notions of fugitivity, understood in the terms Fred Moten as a category irregular escapes easy representations and predications, can undiscipline music histories productive ways. Among these: it inflect musicological thinking through attention to sonic remainders haunted pasts; decenter understandings aesthetic; lead more nuanced about imbrication an “undercommons” life refuses ever fully sound harmony, residing instead disordered space restless, noisy sound. The asks, finally, how such thinking, developed by Moten, Nathaniel Mackey, Daphne Brooks, among others, remake aspects voice.

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ژورنال

عنوان ژورنال: Representations

سال: 2021

ISSN: ['0734-6018', '1533-855X']

DOI: https://doi.org/10.1525/rep.2021.154.2.10